ABOUT
ABOUT

Where MOVEMENT, FIGHTS and INTIMACY
intertwine to SHAPE NARRATIVE
Yarit Dor is an interdisciplinary movement creative working across high-end television, film, theatre, opera, musicals and dance.
Combining the roles of Fight Director, Movement Director, and Intimacy Director & Coordinator, her practice brings these disciplines into dialogue to create nuanced, embodied storytelling.
Drawing on extensive professional training and years of industry experience, her practice interweaves these movement specialisms to create nuanced embodied performance with a cohesive style that serves the narrative at every stage. Read more










ABOUT YARIT
Fight Director & Certified Stage Combat Teacher
Movement Director & Coach
IDC Certified Intimacy Coordinator
IDC Certified Intimacy Director
SAG-AFTRA Registered Intimacy Coordinator
BECTU Level 2 Registered Intimacy Coordinator
Yarit (nickname “Yar”) is an interdisciplinary movement creative, choreographing movement, combat, and intimacy with an emphasis on storytelling, safety, and craft. Her fight/movement/intimacy choreographies have been seen in the West End, Royal Opera House, RSC, Shakespeare's Globe, Regent's Park Theatre as well as on High End TV and Film such as both Wicked movies, Rings Of Power series and Knife Out movies.
A leading voice in the UK's intimacy practice since 2018, Yarit became the West End’s first Intimacy Director in 2019. That same year, she transitioned her work to screen as Intimacy Coordinator on the BBC’s Adult Material, a show which earned Hayley Squires an Emmy.









IN THE PRESS
INTIMACY DIRECTION IN DANCE
"Other intimacy directors hired for dance productions, like Yarit Dor, Sarah Lozoff and Anisa Tejpar, were professional dancers who started doing intimacy work while working in theater and film. In addition to consent and boundary practice, they advise about modesty garment options when partial nudity is involved. "
NEW YORK TIMES
FIGHT DIRECTION
"But his words are not enough. They fight anyway (beautifully directed by Yarit Dor), so he exiles them both."
Richard II, Shakespeare's Globe
THE STAGE
INTIMACY COORDINATION
"Her presence in the rehearsals that we did with her before shooting, going into a room together and blocking out each moment, and how we were going to shoot them, and the placement of our bodies, even down to the placement of our hands or foot or leg… It allowed a real safety around it. It meant that when we got on set, we were able to just relax about it and concentrate on the content of the scene.."
Quote from HAYLEY SQUIRES (Adult Material, BBC), CULTURE WHISPER MAGAZINE

Company
MOVING BODY ARTS
www.movingbodyarts.com
Representation
LIVE PERFORMANCE:
Annette Stone Associates
Alice: alice@annettestone.com
SCREEN:
Matt: matt@looptalent.co.uk
Direct Contact
Note: at present I don't have the time to offer shadowing, mentoring and professional pathway advice. Please refrain from emailing unsolicited CVs.
To attend my workshops and training opportunities please go to my company's website.















